My family always watched M*A*S*H when I was growing up. I think it's one of the greatest TV shows ever and Allan Arbus was great as Dr. Freedman. Rest in peace.
From USA Today --
Allan Arbus, known to many of us at the psychiatrist Maj. Sidney Freedman from M*A*S*H, has died at age 95.
The actor, who was married to photographer Diane Arbus, died on Friday at his home in Los Angeles, reports The New York Times.
Arbus, who was born in New York, was a TV regular in the 1970s and '80s, appearing on Taxi, Starsky & Hutch, Matlock and other shows. But it was his M*A*S*H character that became his best-known role.
But before he turned to acting, he married Diane Nemerov in 1941 and became passionate about photography. In 1946, they established a studio on West 54th Street for fashion photography and soon won a contract from Condé Nast to supply photos for magazines including Glamour and Vogue.
The couple separated in 1959 and divorced in 1969, when Allan Arbus moved to Los Angeles. Diane committed suicide in 1971. In 1976, Arbus married Mariclare Costello. She survives him, as do his two daughters from his first marriage, Amy and Doon; and a daughter from his second marriage, Arin Arbus, according to the Times.
Showing posts with label m*a*s*h. Show all posts
Showing posts with label m*a*s*h. Show all posts
Tuesday, April 23, 2013
Wednesday, December 07, 2011
Harry Morgan, R.I.P.
I loved M*A*S*H when I was growing up. Rest in peace Col. Potter.
From USA Today --
Harry Morgan, best known to television audiences as M*A*S*H's Col. Sherman Potter, was never what you'd call a star. Yet he was almost never out of work — which is as good a sign of his talent and our enduring affection as any.
Morgan, who died Wednesday at 96 in his L.A. home, had a career in TV and film that stretched from 1942 (To the Shores of Tripoli) to 1999 (the sitcom Love & Money). In all that time, there was never anything you'd really call a "Harry Morgan film" or a "Harry Morgan show" — though his breakthrough co-starring role in the popular early '60s December Bride spinoff Pete and Gladys came very close.
But it didn't matter. You knew what you would most often get from a Morgan TV appearance: a wry, honest, sometimes cranky everyman. And you were almost always happy to get it.
His early movie roles — there were more than 100 in all — were more varied, playing good guys and bad guys, and sidekicks to everyone from James Stewart to Henry Fonda (in 1943's The Ox-Bow Incident, one of Morgan's best film roles).
But the TV die was cast with Pete, the loving but put-upon husband often exasperated by his scatter-brained wife, Gladys — a character who was much-discussed by Pete but never seen in the original show, December Bride.
That was the Morgan we would come to know and love on the small screen, dryly funny and a bit sarcastic on the outside, but warm and mushy on the inside. You got more dry than warmth in his second big TV role, as Jack Webb's equally staccato partner in the late-'60s revival of Dragnet.
But the whole package shone again in not only his best-known, but probably also his best, TV role. Stepping into M*A*S*H in 1974 for the departed McLean Stevenson, Morgan as Potter created one of TV's most-loved authority figures, a man firmly in charge who held sway by being the smartest (and sometimes only) adult in the room. It would win him an Emmy and a permanent place in TV lore, and it no doubt helped save the show and extend its 11-season run.
Was Harry Morgan a big star? No. But sometimes our fondest memories are reserved for actors who burn a bit less brightly and a bit off from the center — and sometimes, those are the lights that last.
From USA Today --
Harry Morgan, best known to television audiences as M*A*S*H's Col. Sherman Potter, was never what you'd call a star. Yet he was almost never out of work — which is as good a sign of his talent and our enduring affection as any.
Morgan, who died Wednesday at 96 in his L.A. home, had a career in TV and film that stretched from 1942 (To the Shores of Tripoli) to 1999 (the sitcom Love & Money). In all that time, there was never anything you'd really call a "Harry Morgan film" or a "Harry Morgan show" — though his breakthrough co-starring role in the popular early '60s December Bride spinoff Pete and Gladys came very close.
But it didn't matter. You knew what you would most often get from a Morgan TV appearance: a wry, honest, sometimes cranky everyman. And you were almost always happy to get it.
His early movie roles — there were more than 100 in all — were more varied, playing good guys and bad guys, and sidekicks to everyone from James Stewart to Henry Fonda (in 1943's The Ox-Bow Incident, one of Morgan's best film roles).
But the TV die was cast with Pete, the loving but put-upon husband often exasperated by his scatter-brained wife, Gladys — a character who was much-discussed by Pete but never seen in the original show, December Bride.
That was the Morgan we would come to know and love on the small screen, dryly funny and a bit sarcastic on the outside, but warm and mushy on the inside. You got more dry than warmth in his second big TV role, as Jack Webb's equally staccato partner in the late-'60s revival of Dragnet.
But the whole package shone again in not only his best-known, but probably also his best, TV role. Stepping into M*A*S*H in 1974 for the departed McLean Stevenson, Morgan as Potter created one of TV's most-loved authority figures, a man firmly in charge who held sway by being the smartest (and sometimes only) adult in the room. It would win him an Emmy and a permanent place in TV lore, and it no doubt helped save the show and extend its 11-season run.
Was Harry Morgan a big star? No. But sometimes our fondest memories are reserved for actors who burn a bit less brightly and a bit off from the center — and sometimes, those are the lights that last.
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